The film was a combination of both fiction and real life facts. In the film, Princess Natasha had sexual relations with Prince Chegodieff, one the murderers of Rasputin, but was also raped by Rasputin. In real life, Princess Irina Youssoupoff was married to Prince Youssoupoff, the man who assisted in the murder of Rasputin. Metro-Goldwyn-Mayer Limited produced a film in which a man named Rasputin brought about the destruction of Russia but was subsequently murdered by Prince Chegodieff and others. Youssoupoff v Metro-Goldwyn-Mayer (1934) 50 TLR 581, CA Give me “Kill the Sexplayer.” Give me Filter and the Crystal Method doing “(Can’t You) Trip Like I Do,” Give me Divinyls covering Roxy Music’s “Love Is the Drug” at the behest of Super Mario Bros.Case Summary: Youssoupoff v Metro-Goldwyn-Mayer But you can keep Romeo + Juliet (I learned this on piano) and Batman Forever ( best U2 song), and leave me with the trash, or at least the undiscovered treasure. The ’90s rock soundtracks that have endured, some 25-plus-years on, deserve their modest prestige, from Cameron Crowe’s immaculately curated 1992 Seattle scene report Singles ( best Pearl Jam song) to Amy Heckerling’s tenderly chaotic 1995 L.A.–rich kid love letter Clueless ( best Coolio song). These records were ridiculous and obviously craven music-biz Frankensteins of opportunity and incongruity, and very few were worth $17.99, and I loved them all. Jackson and was the funniest movie I’d ever seen at the time, did not have an official soundtrack.) The end result: a lotta 14-or-so-track grab bags of big shots, wannabes, also-rans, and never-weres.
(Alas, the 1993 gritty-crime-thriller spoof Loaded Weapon 1, which starred Emilio Estevez and Samuel L. Lotta cornball B-movies I don’t believe existed even if I saw them in the theater at the time.
#PICTURE THIS MOVIE SUMMARY FULL#
Lotta starry-eyed knuckleheads such as myself buying those CDs for full price.
Quick summary of the ’90s: lotta alt-rock bands. (No offense to Machines of Loving Grace.) I am mentally headbanging along to the Rollins Band’s “Ghostrider” as I type this, and it makes me want to throw my laptop at the ceiling. In fact, let me elaborate: In 1994 I could recite for you the entire 14-track Crow soundtrack track list, from the bands I already loved (the Cure, Nine Inch Nails, Rage Against the Machine, Stone Temple Pilots) to the bands I’d never heard of and never listened to again. Few of these records tend to show up on Greatest Movie Soundtracks of All Time Lists, but all of them were absolutely essential to an uncommonly perceptive and charismatic ’90s teenager such as myself. I come before you today to praise the ’90s junk-drawer alt-rock soundtrack, a wildly profitable and mostly prestige-free cesspool of randos deployed randomly to promote everything from Godzilla to Reality Bites to Empire Records to The Crow to Beavis and Butt-head Do America to Mallrats to Lost Highway to (personal favorite) Angus to The Saint to Spawn. The 50 Best Movie Soundtracks of the Past 50 Years An elaborate ruse concocted for the sole purpose of gifting the world with the Judgment Night soundtrack, which is real, and yes indeed spectacular, and world-famous for its delightful conceit of pairing rowdy rock bands with even rowdier rappers, a somewhat revolutionary idea in 1993 that produced unholy one-song unions that remain hilariously incongruous in 2021. The “Swingin’ on the Flippity Flop” of cinema. Yeah, so where do these friends of yours even claim to have seen the feature film Judgment Night? Projected onto the side of a dumpster out behind a multiplex? Is this a link to the legit Judgment Night trailer or to a poorly synced clip of Crucial Taunt playing “Ballroom Blitz” near the end of the Wayne’s World movie? Who can say? I can. Is Judgment Night a real movie? Have you ever met anybody in your life who even claims to have seen the gritty 1993 replacement-level crime thriller Judgment Night, directed by Stephen Hopkins and starring Emilio Estevez, Cuba Gooding Jr., Denis Leary, Jeremy Piven, and Stephen Dorff? Real quick, can I share with you this paragraph from Stephen Hopkins’s Wikipedia page?
Before that film examines the man who forever changed the way music and film interact with his work on Saturday Night Fever, The Ringer will spend the day celebrating the world of movie soundtracks that he so heavily influenced. Saturday Night, on the legendary producer Robert Stigwood. On Thursday, Ringer Films will debut the latest installment of its HBO Music Box series, Mr.
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